On Lydia Loveless

From the first twangy guitar riffs on the opening track off Somewhere Else, Lydia Loveless wormed her way right on in to the alt-country corners of my heart. The Colombus, Ohio-based singer songwriter has proven musically irresistible with her fourth album, a brilliant blend of country straight out of the honky tonk and unapologetic punk rock. It’s damn hard not to compare Loveless’ vocals to those of Stevie Nicks or Bonnie Raitt, but her sound is unmistakably original and her big voice comes as a huge surprise once you see the petite 23-year-old it comes package in. Lyrically the album proves that the young but mature performer doesn’t take herself too seriously despite all the heartache and experience she’s got to sing about.

Unfortunately I can’t say that I’ve given the whole album a proper listen; so smitten as I am with the first six tracks, the remaining four see far fewer rotations. The 25 minute timing of my commute doesn’t help, especially since I love to both start my day and blow off steam on my ride home with the album’s rocking opener “Really Wanna See You Again,” a tune about the temptation, made worse by drug-induced emotionalism and lack of judgment, to contact an old, now-married lover. Another favorite about unrequited love is “Chris Isaak,” a deceptively optimistic song about remorse and doing things differently. “To Love Somebody,” the most poppy track on this release, is a meditation on the meaning, pains, responsibilities, and inconsistencies of being in love.

Despite the fact that most of these songs dwell on love lost and the hurting after a relationship goes awry, Somewhere Else isn’t an album just for the love-lorn. Rather it’s an intelligent, ambitious, and even fun reflection on intimacy that anyone can enjoy for both its songwriting and the musical joy it brings. More than that, it stands as another example of excellent  up and coming female singer songwriters worth paying close attention to.

 

 

 

 

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